Frida | Tribute to Frida Kahlo
This project started as a tribute to Frida Kahlo and kind of grew from there. It's portrait photography, but the focus shifted pretty quickly from just recreating her look to something harder to pin down. Who you are, what it means to be a woman in a frame, and what it means to take up space. The pictures are set up, but not in a stiff way. Everything was chosen on purpose, from the places to the gestures.
Suspended
Suspended looks at moments of stillness within movement. The images follow birds crossing open skies where direction becomes uncertain and space begins to feel weightless. The series is about short pauses that happen between gestures. These little breaks make the sky feel like a place where movement slows down and time is temporarily held.
After the Village
After the Village looks at rural spaces where time becomes visible through small transformations and subtle absences. The images move through pieces of landscape and buildings that still carry traces of habitation while slowly shifting toward stillness. Rather than documenting disappearance, the series looks at how memory stays alive in everyday places and suggests a village that continues to exist beyond what is immediately visible.
Still Anatomy
Still Anatomy is a conceptual still life photography series that investigates fragility, time, and anatomical shapes by using symbolic compositions of organic elements and anatomical forms.
Glass Memory
Glass Memory explores glass vessels through light, reflection and repetition. The images move around fragile structures that seem to hold a quiet interior space of their own. Working with minimal arrangements and controlled contrasts, the series looks at how transparency can shift the boundary between inside and outside, suggesting that even the most minimal forms can carry a subtle sense of presence.
Mould | States of Decay
Mould investigates decay as a living surface. Through staged still-life arrangements of organic matter in transformation, the series traces the passage from object to fragment, from structure to texture, from presence to residue. Rather than documenting deterioration, the images observe mould as a quiet form of growth, a slow rewriting of material identity over time.
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